A few years ago I had a flurry of people who wrote to me about this topic in the space of three weeks. There must have been a story about Talent Agencies on the Today Show or something.
Continue reading What do I need to start my own Talent Agency?
Not unless you’re a really HOT supermodel, or unless I ask you to send me one.
Continue reading May I send you my resume?
I couldn’t begin to answer that question because it’s different for every state. I’d suggest that you begin by looking to see if your state has a website for their Film Commission then look for a telephone number which may (or may not) be labeled as a “hotline”. People in the state of Georgia should dial up the Film & Videotape Office hotline.
If you have any medical conditions or tire easily please think twice before going out to be an extra.
Continue reading Is it easy being an extra?
The last time I checked an extra could earn anything from a hotdog and a slap on the butt (on the low end), up to $100/day and very polite treatment (on the high end). I don’t the going rate, and it varies from town to town, but don’t be surprised if it’s not all that much. Remember: you’re doing it for the experience.
Under no circumstances pay a company to teach you “how to be an extra”. I consider this unneccessary, and many would say unethical. I have firsthand experience with a company called “Reynolds” based in Atlanta who were offering (for a fee) to teach people “how to be an extra”. And if they found you work as an extra they would extract a portion of your daily earnings as an “agent’s fee”. I hope that they have discontinued this practice, but take them to task for having deployed the practice in the first place.
First you’ll need to find out if there are any movies filming in your town, then you’ll need to call them to find out about casting calls for extras. Often there will be a separate telephone number for extras casting, and there will only be a recording on the other end of the phone. DON’T try to call the main number back and pester the person answering the phone because the word will spread that you’re a nuisance and you’ll never work in this town again.
Not that you couldn’t find the answers anywhere else on the internet, but here’s a quick rundown:
DP = Director of Photography
Grip = they build camera rigs, create shadows and drink beer
Gaffer = Key Electric or Chief Lighting Technician
Best Boy = 1st Assistant to department head (grip or electric)
Dolly Grip = the grip who operates the camera dolly (not easy)
Key Grip = the Head of the Grip Department
Focus Puller = the person who focuses the camera during a shot
Loader = the person who loads (and unloads) film magazines
2nd 2nd = the assistant director usually in charge of basecamp
These answers have been simplified, every one of these jobs has many aspects that cannot be encapsulated and the interaction between departments adds yet another layer of depth that is constantly adaptive dependent upon the people filling the jobs.
I almost missed this article in the November 2002 issue of ARCHIT magazine. It mentions Hedjuk and the Suicide Boxes but manages to leave out Georgia Tech, Professor Jim Williamson or any indication of who built these things. Ah, Architectural Fame, just like good old whats-his-name who engineered the pyramids….
The “hottest” Hot Rat, Kelly Leavell, writes in to say that she is the proud Mom of a 4 year-old girl and a 6 year-old boy. Kelly still lives in the Atlanta area.
Matt Greer says that Michael “Arkansas” Pouncey has given up the glamorous architecture lifestyle for good old-fashioned farming in Hughes, Arkansas. I guess he wasn’t kidding about that whole nickname thing… go figure.
Also of note, one ‘Christo Harris’ is listed as the editor of “The Southern Movie Hound”, which features the dog and cat team of Dooley and Butter who will introduce weekly movies on Turner South.
In late May 2002 I was contacted by Tripp Norton, one of the producers of the independent film “The Greenskeeper” to create a theatrical poster for the movie. Working from a basic composition requested by Tripp, I set out to create a movie poster that would provide an engaging color palette and help to convey the essence of the film to the casual viewer in less than ten seconds. The bad part was that I received all of the photographs for assembling the poster less than six days before the movie was set to premiere, so time was already against me. All told, I spent 42 hours working on this project. The final 300dpi Photoshop file came out at a whopping 480MB, and when opened it has at least 30 different layers which makes the file a beast to work inside.
Continue reading My Greenskeeper Poster