In late September of 1988 I was at the local comic book store, Titan Games & Comics, and was looking at some things that were tacked to the bulletin board near the front register. Some of the guys from the store had gone to WorldCon in New Orleans that year and one of the little things they’d brought back with them was a contest form that issued the challenge: “Tell Us Why You Want To Meet Batman in 50 Words Or Less And Win An All-Expense Paid Trip to Be In The Movie!”.
Naturally I disregarded that brochure, gathered up my comic books, paid for them and drove home. When I went into the house I saw that my Dad was watching a sales video. Totally disinterested, I grabbed something to eat and started to head upstairs to work on a model…but something the guy on screen was saying caught my attention.
He said that a recent poll had shown that 95% of all Americans didn’t think that they could win at anything. He went on to explain the ramifications of that poll for salesmen, but all I could think about was that contest form back at Titans. I went upstairs and called the store and talked to the Manager, Chuck Sheffey, who patiently read me the contest rules over the telephone.
Continue reading The Batman Contest
I dropped out of the elevator, crouched low to avoid detection. Looking left and right, I rolled quickly over to the wall trying not to be seen. I’d been avoiding her for most of the morning but her spoor hung heavy in the air in this place. I knew that the big cat was looking for lunch and that she had me in mind for the main course.
She wasn’t your usual cat, this one. She stood five feet tall at the shoulder and her coat was jet black streaked with fluorescent red. Her claws were long elegant blades and she had mysterious green catseyes, but it was her black leather cape and knee-high go-go boots that were a definite giveaway that this wasn’t your everyday feline.
Continue reading Science Fiction Summer
Well, this year I failed miserably at organizing my friends to go to the RenFest. The ones that I did get to go had prior commitments, and had to leave early. So none of them witnessed the drunken splendor and bawdy majesty of the pub sing. Most of the people I called said “oh yeah, that sounds fun, count me in” then proceed to totally not show up. I’m beginning to suspect these people don’t eat the fruitcakes I give them at Christmas…..hmmmm.
Continue reading Georgia RenFest 2002
I recently learned that a project that I worked on with my friend Julie Sanford back in 1994 has finally been built by the property owner, up in the northwest corner of Georgia near Lookout Mountain. As soon as I had the time I grabbed my parents and drove up and to see it in person. It’s a residence inn for hang glider pilots, which is the reason that the rooflets look like Continue reading They Built Landing: Our Hang Glider Residence Inn!
From my timecard journal: Saturday, December 8th, 2001.
Crew call was at 5:30pm, taking us into what we call a “Producer’s Weekend” because we come in late on the last day of our work week and finish work sometime in the morning of the first day of our weekend. By the time you leave set, drive home and go to sleep you don’t have a lot of time (or energy) left to take care of personal business.
December 8th was our final night of shooting in Crawfordville. The hard stuff was finished, namely the Catfish Festival. For the props department it was a chance to regroup and prepare for the next week of shooting two or three miles to the south at a popular barbeque restaurant called Heavy’s. George Lee and our driver Johnny Poucher loaded all of our cooking gear, coolers, tables and other assorted festival props onto a stakebed and drove back toward the production office to put that equipment in storage.
Continue reading Long Night in Crawfordville
Back in the Summer of 1993 I drove to Charleston, South Carolina to work on a made-for-cable movie called “They”. Among the notable events of that trip was that it was the third movie that my friend Dwight had hired me to work on, and it was the first time that I ever worked with a “new” propguy from Atlanta named Joe Connolly.
One night we were shooting a driving scene with the actors using poor-man’s process (simulating the look of driving when the car is actually standing still). The night was damp and the breath of the actors in the car quickly made the windows begin to fog.
Continue reading They
Okay, this story is from 1996 or 1997. The setting is aboard a crowded riverboat casino, the crowd is loose and wild and completely in the way right now so the PA’s come in and chase them back over to stage B so that we can set up for a new take. We’re in a soundstage/warehouse just outside of Atlanta and pulling a typical “big” extra day. As the crowd starts to thin out, the Director of Photography Frank E. Johnson, begins waving a FedEx box over his head. It’s addressed to Gary Oldknow, one of the grips…..and it’s from FujiFilm!
Continue reading Fujifilm Surprise
This is a little primer for people who’ve never been to the Georgia Renaissance Festival.
Continue reading A RenFest Primer
This set sketch is from the movie ‘Run Ronnie Run’, shot in the fall of 2000. I’m not positive where we were on that day and I’m too lazy to look it up in my locations notebook. When Producer Carl Mazzocone and Director Troy Miller returned to Atlanta with ‘Dumb & Dumberer’ in 2002 they brought back their favorite LA sound guys, Vahe and Stacy. Boom guys are almost always above average in height because it gives them an edge when working the mic above any surrounding equipment and/or crew members. Vahe’s solution to this problem was easy: stand on an applebox. If you ever see ‘Dumb & Dumber 2’ then you’ll see a flash of Vahe as a coach/trainer on the football team. You’ll also hear one of his band’s (NuTra) songs on the soundtrack. See kids, it pays to know the Director!
This is Ziggy, one of our local electricians. Like the caption says, he was coiling a stinger when I sketched him in action. Notice that he is using the approved Finkelstein method, leaning and coiling the cable in a clockwise direction. You can always spot a new guy in the electric department because they’ll try to wrap bandit, 4/0, even stingers (!!) in a counter-clockwise direction. Chumps. I’m pretty happy with the way this sketch turned out because I captured all the classic Ziggy elements with a minimum amount of linework; the earwig, the toolbelt, the T-shirt and his attentiveness to what’s happening on-set. I enjoy going through these old sketches because they sometimes help me remember people better than a photograph.